[‘The Word That Builds the World’ clears its throat loudly and corrects that it’s from the countess’s perspective, and from the protagonist’s perspective, it’s a thriller about escaping the mansion.]
[‘The Balancer of Harsh Words’ says that since you’re possessed as the countess, that perspective is what matters.]
[‘The Scales That Judge Souls’ secretly hopes that in this imprisonment setting with just a man and a woman, the high rating of the original will be preserved.]
[‘The Observer of Heavenly Secrets’ ponders whether to agree or not as an original work purist.]
In The Secret of Haizenberg Mansion, there are only two characters.
I was clearly playing the role of the widowed countess, so now it was time for the protagonist—who was supposed to come to pay respects and end up suffering various ordeals—to appear.
Just then, heavy footsteps echoed in my ears.
One corner of the hall connected to a long, dark corridor resembling a cave. From deep within…